Moog Announces New Semi-Modular Synth, Subharmonicon

The Moog Subharmonicon is a versatile analog labyrinth of subharmonically derived synthesis and polyrhythmic patterns, equally suited for losing oneself and simultaneously finding oneself through sound. This new semi-modular analog synthesizer is designed for the exploration of sequences that unfold and evolve over time, spiraling through six-tone subharmonic chords and organic polyrhythms.

The newest addition to Moog’s family of semi-modular analog synthesizers (Matriarch, Grandmother, Mother-32, and DFAM ), Subharmonicon is capable of complex sounds and patterns, yet is incredibly simple to use. With two VCOs, four Subharmonic Oscillators, two 4-Step Sequencers, and four Rhythm Generators, this new musical machine creates a rich harmonic kaleidoscope that divides into itself until everything that is up becomes down. Although no patching is required to start creating, Subharmonicon can be patched into itself, expanding its onboard capabilities, or interfaced with Mother-32, DFAM, and other external Eurorack-compatible gear for endless possibilities.

Moog Music presents “ “Music As Living Matter,” a short film conceptualized to explore and examine conventional ideas of music, sound, and expression. Electronic music pioneer Suzanne Ciani and multidisciplinary visual artist Scott Kiernan invite you to reenvision these ideas through a delicate balance of mystery and order in this experimental piece composed entirely using Subharmonicon and analog video synthesis techniques. 

“What I love about this instrument is that it gives you a more organic and fluid beat pattern that is off the grid. It is intuitive and yet full of surprises. Schillinger gives us a very fundamental concept of what music is to a human being that I connect with: art is a piece of life itself that we make to reflect our experience.” – Suzanne Ciani 

The film’s visuals and narration offer a deeper understanding of the instrument, drawing inspiration from the language and illustrations found in Bob Moog’s old copy of Joseph Schillinger’s book “The Mathematical Basis of the Arts.” Engage your imagination as the rhythmic ping-ponging of Ciani’s score meets Kiernan’s depiction of the evolving shapes, forms, and textures Subharmonicon’s sound creates.

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